06.13.06
Source B:
iRiver
--- Core Sound Binaurals > Core Sound Battery Box (with bass roll-off) > iRiver H140 (Rockbox) / 44.1 kHz
Dissemination:
Master > iRiver H140 (Rockbox)
> USB > HDD > Adobe Audition 2.0 > Normalize > CD Wave > Tracks split > WAV
> FLAC Frontend Level 8 > FLAC
Location:
In line with right
stacks, about 25 feet back
Taper:
Ben -
list
Gen:
0 Gen from Master
MP3 Sample:
Right click & save
Notes
- by: Taper: Wore
the mics wrong way round so I swapped the channels in Audition. Now all the
screamers and talkers are on the right side, where they're supposed to be.
Notes
- by: Galen / Performance:
I suppose I was hoping for something more from the band for this show. In
1993, Tool performed to English audiences heavy renditions of their hits to
crowds that barely knew who they were. In 1994 they managed to pull out "No
Quarter" covers to the same, lucky English audience. In 1997, MJK wrestled a
fan to the ground & sat on him throughout the majority of Pushit (this was
filmed). In 2001, Tool performed The Patient for the first time, live,
outside of rehearsals. In 2002, the band mixed it up quite a bit & did two
back-to-back performances of alternate setlists including both Triad & Ticks
& Leeches as openers, respectively. In 2006 via the European "mini tour",
the setlists were virtually the same as the US performances. You may say
what am I complaining about, etc., etc. + blah, blah, blah - however, I
simply had different expectations. Perhaps I may have a skewed view of the
musicianship of Tool but I expect more out of this truly magnificent band
than a mediocre performance with little variance from the setlists. Mix it
up. Keep it real. Think that is what a lot of us want. Tool messed up the
ending of RS (& MJK's 'interest in the song' seemed lacking). Schism was the
most polished; and I wonder is that saying too much? Vicarious sounds quite
good; polished but not with a lot of passion. Am not trying to be a critic;
however, I am a fan first of all. You know, you are a critic too. We are the
critics that the band should care about as who are the folks that
practically camp out for tickets, are prepared to get kicked out of our
favorite act for taping, buy the band's albums the day of sale boosting them
to #1 in 15 countries (reference: 10K Days) & are -well- reading this rant
by yours truly? We are. The fan base.
Notes
- by: Galen / Recording:
Now I believe that the taper of this show (& 3 other shows from this leg of
the tour) was + should be very happy about the way this recording came out.
The first two recordings simply were warm-ups for how his setup should work.
Unlike other shows, the bass is very clean, clear, concise & enjoyable. The
guitar is really warm & the drums/cymbals sound like an accurate
representation of the performance & I assume that is what the taper was
going for. Nicely done. It is definitely worth a note that it sound like
MJK's vocals fade a little bit during RS. Weird; right before Adam's guitar
solo on the same tune. As it is, of course there are some people singing
along, enjoying the band & some other, random assorted noises from the crowd
but then again those things are going to happen. The taper appears to remain
focused throughout the show though (i.e.: little phasing, little movement).
All in all, a very nice job in regards to taping. This is something that, I
think, will get a lot of replay on your system.
Maynardism:
"Good evening silly
English Types-ah"
Time:
94:36
Setlist / Quote:
Lost Keys
Rosetta Stoned
Stinkfist
Forty Six & 2
Jambi
Schism
Right In Two
Sober
Lateralus
Vicarious
Ænema