08/28/2007
Source
B:
Analog ---
SONY TCM-353V Cassette
Corder (recording Mono only, no Dolby) > PHILIPS earplugs (used as Mic) > TDK
SA-X 100 (Tape)
Lineage:
my own Mastertape > SONY TCM-353V Cassette
Corder > Audacity > HDD > editing, mixing and splitting (via Audacity) > FLAC
Frontend (Level 7 and tested) > TTD
Location:
balcony, left / middle of stage, Row 2.
Taper:
Uninvited94
MP3
Sample:
Right click &
save
Notes - Taper:
*** The
Recording ***The one thing I wanted to do was, well, taping a TOOL-show. Maybe
just to tell my grand-children one day how their grandpa taped a TOOL-show. The
other thing I wanted to do was (and always will be) taping a show with my stuff
that sounds superior to a certain Fates Warning-show I have in my collection. As
Iīm now listening to my Tape the very first time, Iīm quite surprised how nice
this turned out. Without a proper Mic (I did not want to use that SONY Stereo
clip-mic again as the recording I did with it sounded way too flat) and an
Analog Walkman (recording Mono only) thatīs rather built for recording
interviews and stuff. I miss my old Sony WM-F66 I had since 1989. Wonder how
that one would have sounded like, never taped a proper show with it. There are
some very short drop-outs, only in the quiet Synthie intermissions and the very
quiet parts, donīt know how and why this could happen. Probably because I had
this "Voice Operated Recording"-button pressed. I apologize for that mistake.
Mostly because of these drop-outs Iīd suggest this tape for the completists
among the TOOL-traders. There are a one or two crackles when the earplugs
touched my leg. And the tape flip was exactly where it never should have been.
But you will hardly make out annoying crowd chatter. Donīt ask how the WM and
the earplugs were placed. I guess there are still remains of cellotape on my
balls. *** The Venue *** A quite small venue (2.000 - 2.500) with a fantastic
sound, hardly used for Rock-shows. Totally sold out. Security was tight, but
they visibly gave up their no-smoking-zero-tolerance-policy in the second part
of the show. *** The Show *** Awesome. After reading some reviews of the latest
European shows, I didnīt expect too much, but they were great. Jones messed up
some things (well, thatīs Jones), but Maynard was in surprisingly good shape.
One of the best versions of "Lateralus" Iīve heard so far, and I heard a few.
Not to mention Justin and Danny (and I guess they will split up as Maynard told
the audience "See you again soon!!" before "Vicarious").
Notes - Galen:
You know
for the given source information I was expecting a whole lot worse. Really, for
the kitsch-factor this is an interesting recording. Sure there is a layer of
pervasive tape-hiss throughout, the vocals are somewhat muddy, the bass is not
very noticeable, the drums are distant & you can clearly hear the imperfections
but on the other hand this is also a very honest recording. I say honest
recording simply because the taper simply wanted to tape Tool with what he had -
and he did a fine job at it; all things considered. Not going to win any beauty
prizes or anything like that but the recording is an interesting creation. This
is definitely the only known analog from this leg of the tour. The sound is
reminiscent of a Metallica show I have from 1992 - it was taped on just a
walkmen like this - pretty much what it sounds like; rather tinny. As such, this
is best left for collector's but please do not let that stop you from
checking out this interesting recording.
Maynardism:
"Goodbye.
We'll see you soon. Guide safely towards home, and see you soon...!"
Setlist:
<bass drone>
Jambi
Stinkfist
46&2
Schism
Rosetta Stoned
Flood
(-> tape-flip when arriving the first verse, missing about 20 seconds)
Wings For Marie
10,000 Days
Lateralus
Vicarious